Graphology IN THE HOME

When the appearance form of connection is used, it means the way the upstrokes and the downstrokes are connected-usually somewhere in the center zone. If the connections occur in another zone, the writer in all that particular zone represents is showing particular emphasis. When the expression form of connection can be used, it means how the upstrokes and the downstrokes are connected-usually somewhere in the center zone.

Should the contacts happen in another area, the writer in every that this particular area represents is showing particular emphasis. Since the connecting strokes by nature meet in the center zone and the middle area is indicative of the writer’s public relationships, it gives the graphologist strong insight into the writer’s interpersonal life. You can find four major types of contacts: arcade, Garland, angular, and thready. Often the graphologist finds more than one form of connection in the same writing. If one form can be used more than the others frequently, the writer gets the characteristics reflected by that one form of connection probably.

  • Slowly drag it in an outward motion
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  • Glowing Skin
  • Neutral counter-tops
  • Criticism, aggressiveness and rigidity are to be within which form of connection
  • Flowering Almond

However, although one form could be the prominent one in the writer’s personality, the characteristics of the other styles do can be found and play a role in his personality as well. Whenever we have two connecting forms (or higher, though it is not regular) used approximately equally, we say that the article writer offers the personality traits of both forms in similar proportion. This is arcade writing. There is a reserve in the personality, somebody who would be with character than with people rather. Arcade writers tend to be secretive, have a solid curiosity about architecture, and are artists frequently.

The arcade writer prefers to shut the world out and often puts on the facade. With all the arcade link to protect him, he can make believe that he is someone he really is not. The arcade writer is usually slower in his reactions than most people, especially those who write in Garland connections.

In writing the arcade, the subject must use an up-down direction, using extensor muscles-muscles used in extending a limb. The Garland writer, on the other hand, uses a down-up direction, employing flexor muscles- muscles used in bending or clenching a limb. The flavors are more powerful than the extensors, and hence it is easier and quicker to create the Garland than the arcade. Imagine curved writing with the eventually ends up and the center down. The major personality trait of the Garland writer is a love of peace. Garland authors are keen on pleasure, will attempt to find the easy way out always, and try to avoid conflicts. They usually have a great deal of attraction.

Their receptive personalities and willingness to be exposed to whatever may come is seen by the openness near the top of their letters. They are warm, adoring, patient persons, and are often found in positions where it’s important to deal straight with people. They get along well with others and learn how to use their elegance when it’s needed.

The writer of the angular connection has an exciting, lively personality and it is alert and competitive. He has a crucial mind, and when he starts a job, it is finished by him. He is aggressive and hard and can be difficult to go along with-as shown by the angles, which indicate rigidity. He could be quick, both and mentally physically.

He will most likely clash with the person writing the arcade form of connection, because the arcade writer tends to be slower in coming to decisions. The author of the angular connection often manages to lose patience with the arcade writer for his procrastination. The arcade writer, in turn, feels badgered and persecuted for acting in ways that are natural to him.

The thready connection talks for itself. It looks as if the contacts were being kept by pieces of thread collectively. This is extremely swift writing. The thready writer is unsure of both the world and himself, with a focus on the latter. It is difficult for him to constitute his mind, and he would prefer not to be pressed for decisions. This writing often shows hysteria. His writing connections became thready through the Watergate affair, a most sensitive period.